2020: My Year in Writing
Well, here we are. Wherever you are, I’m sorry for whatever you’ve endured. Here are all the freelance pieces I published in 2020. If we make it to 2021, I’ll happily write for your esteemed publication—I’m at ptosiello@gmail.com. See you out there.
In conversation with Anna Wiener (The Paris Review):
On Nas’s King’s Disease (Pitchfork):
On MC Eiht’s Lessons (Pitchfork):
On Bruce Hornsby’s Non-Secure Connection (Pitchfork):
On Knox Fortune’s Stock Child Wonder (Pitchfork):
In conversation with Rebecca Kauffman (Guernica):
On Vanessa Carlton’s Love Is an Art (Pitchfork):
On Spillage Village’s Spilligion (Pitchfork):
On Lynn Steger Strong’s Want (The Washington Post):
On Emma Glass’s Rest and Be Thankful (The Washington Post):
On Spotify’s Appears On tab and the embattled state of music discovery (Medium):
On Stephany Ann Golberg’s My Morningless Mornings (Full Stop):
On Machine Gun Kelly’s Tickets to My Downfall (Pitchfork):
On Yaya Bey’s Madison Tapes (Pitchfork):
In conversation with Rahiem Supreme (Passion of the Weiss):
In conversation with Solemn Brigham (Bandcamp Daily):
On Serengeti’s Ajai, for Passion of the Weiss’s Best Albums of 2020:
On Open Mike Eagle’s “Death Parade” and Conway the Machine’s “Fear of God,” for Passion of the Weiss’s Best Rap Songs of 2020:
